@chunhwee

It has definitely been a while. Alot of progress has been made and this project is finalized. After nailing the mapping of the bass clef onto the treble clef, I went on to make the following changes. First I added different variations to the bass clef based on the “liveliness” of a song. Then I also added a seed feature that purposely varies not only the way the bass clef is built but also the rhythm in the treble clef by offsetting it by a miniscule amount. The users have the option to regenerate sheets with random seeds and different variations if they are unsatisfied with their results. Then I added multiple clean-up stages to the introduction and conclusion, and also added clean-up logic to get rid of unnecessary micro-notes, sharps, and ultra high/low notes. I tested this model on 3 different songs, all of them produced satisfactory results.

Made a ton of progress. The chord extractor is perfected and so is the bass clef. It took a while to get the bass clef finally aligned with the treble clef. Now I am trying to clean up the rhythm in the treble clef so that it is accurate to the actual song. I have created numerous different versions with different approaches to test which one would work the best. Currently got the pitch, readability, and alignment nailed down, been spending a lot more time on the rhythm.

Created a mostly functional and working vocal transcription system. It is mostly accurate both pitch and rhythm-wise, and now I will be working on aligning the accompaniments (the bass-clef).

Working on perfecting the transcription of vocals. Before I tried to transcribe vocals directly from the vocals audio file, but now I am using a different approach, using the drums, bass, and non-vocal sounds as a reference for the vocal transcription.